This week's reviews: Creepshow III, Vacancy, and
Wicked Little Things
Creepshow III (2007)
Plot: Hey, remember
Creepshow? And
Creepshow 2? It's like them. Except not as good.
Comments: Unless it has
Indiana Jones in the title, it's rarely a good sign when a sequel comes out 20 years after the last installment. It usually means some studio flack was going through a bunch of trademarks the studio owned, recognized one that was going unused, and thought, "Why not?"
It's an even worse sign when the sequel goes straight to DVD, unlike its predecessors.
And when the writer/directors' filmographies consist mainly of soft-core porn? It's not looking good. (It goes without saying that Stephen King and George Romero have absolutely nothing whatsoever to do with this film, and would probably punch you in the face if you asked them about it.)
Such is the unfortunate existence of
Creepshow III.
In the first segment (which borrows liberally from
Click), a family's universal remote wreaks havoc, and turns a bitchy teenage girl into a disfigured, boiled-covered freak. Strangely, it takes her about ten minutes before this seems to bother her.
In the second, a lonely man buys a radio that speaks to him in a seductive female voice, and starts telling him to do very bad things. You may not figure out exactly how it ends, but you'll be close enough that you'll almost certainly be underwhelmed.
In the third, a prostitute who moonlights as a serial killer picks the wrong john to hook up with. This wasn't terrible, but the twist comes so far out of left field, you're sort of left scratching your head and going, "Huh?" (If they'd taken about five minutes from the overly-long second segment and tacked them onto this one, it would have given them more time to set up the ending.)
The fourth segment, where two former students try and prove their old professor's fiancee is an android, is the "funny" one. Which is sort of like calling Ringo the "talented" one. It requires such complete suspension of disbelief to appreciate the gag, only the truly dense will be able to enjoy it.
The fifth (and mercifully, final) segment, is your basic revenge story, where a creep of a doctor is haunted by visions of a man he inadvertently killed. It's pretty obvious that at this point, Clavell and Dudelson were just trying to reach the film's allotted running time, and don't care how many people they have to bore to do it.
The fact that the five segments are interconnected in a
Pulp Fiction-esque way is sort of clever, but that's one of the film's few saving graces. Even when it's sort of good, it still never rises above the quality of a below-average
Tales From the Crypt episode or anything it doesn't feel like you've seen a hundred times before.
Watch it if you're a
Creepshow completist or can't find anything better on Netflix. Otherwise, don't bother.
Script: C-
Acting: C
Gore: C+
Overall grade: C

Vacancy (2007)
Plot: An estranged husband and wife check into a sleazy motel, only to discover that they've unwittingly signed on to star in a snuff film.
Comments: It's a pretty safe bet that if you work as a counselor at a summer camp, you won't be hacked up by a guy in a hockey mask. You can be reasonably certain that taking a short cut off off the main highway--no matter how ill-advised this might be for countless other reasons--won't result in being killed and eaten by backwoods cannibals.
But whenever you drive past some run-down motel in the middle of nowhere? It really does seem like there's a better-than-average chance that if you stay there, you're going to get murdered.
Of course, after
Psycho, just getting killed in a motel seems quaint. Hence,
Vacancy, where people don't just get killed, they get filmed being killed for other people's pleasure, which just makes the whole experience that much more disturbing.
The casting is pretty good for this type of thing. Luke Wilson isn't a name you really associate with horror films, Frank Whaley isn't anyone's idea of a villain, and Kate Beckinsale is always a welcome sight, even though here, all she really does is cry a lot. Under a different producer, this could have just as easily been Chad Michael Murray and Lindsey Lohan as the leads. (Note to any snuff film producers: I'd
totally watch a snuff film starring Chad Michael Murray and Lindsey Lohan.)
And yet, the film still felt sort of flat to me. It's not bad, it just doesn't offer anything new or interesting, other than a creepy atmosphere. It almost succeeds at one point, where Luke Wilson's character comes up with a really smart, really un-horror movie character-like plan. Then he does something
really stupid, and you think, "Oh, yeah, right. That's more like it."
Even if you ultimately decide you like the film, you'll still likely feel as though something was missing. It's hard for me to pinpoint exactly what that "thing" is. But it's not there, and that keeps
Vacancy from being anything more than just your average, uninspired big studio horror flick.
Script: C+
Acting: B+
Gore: C
Overall grade: C
Wicked Little Things (2006)
Plot: A widow and her two daughters move to an old mining town, where a hundred years ago, several children were buried alive inside the mine. Turns out they're still alive. Well, sort of. And hungry.
Comments: You would think that over the course of about a century, people in the town would notice that some weird shit was going on in the woods. I mean, how many people have to camp out or go for an evening drive and not come home before the FBI or
Dateline or whatever come in to investigate? A few dozen? A few hundred?
But of course, such logic has no place in horror films. Which is probably for the best, because if we were to dwell on such things, it might be difficult to enjoy an otherwise good film.
Most of the credit has to go to whoever did the make-up for the zombie kids. Because man, those are some freaky looking zombie kids. And that's not even counting the early-19th century cloths or the pickaxes they're carrying. The scenes of them feeding, whether it's on pig or teenage girl, are particularly effective.
The film does have it's flaws, though. In particular, one or two fewer cliches when it comes to characters might have been nice. Let's see, there's the bratty teenage daughter who resents being brought out in the middle of nowhere. There's the creepy loner who knows the secret of the town. There's the evil developer who...well, acts evil and talks about his plans for development.
And then there's the ending. The whole thing seems a little bit pat. Yeah, it's a longstanding tradition in horror films for the undead to have some purpose for coming back, and once that purpose has been satisfied, for them to finally be able to rest in peace. But if I'm a zombie kid, killing the descendant of the guy responsible for the accident that killed me doesn't balance the scales out to where I'm willing to let everyone else go and basically live like a damn hippie. I guess I'd make a lousy zombie kid.
Script: B
Acting: B
Gore: B-
Overall grade: B